20 MOST RECENT

• Statement on Beijing Index Miao Xiaochun (critique)

  Statement on Beijing Index： We all give priority to the objectivity of photographs; however, everyone has to make a subjective choice when he shoot photographs. We have to choose the theme, the location and the time of...

• The Cosmos of Miao Xiaochun Beate Reifenscheid (critique)

  The world of Miao Xiaochun is a virtual one – a world wholly generated on a computer. It confronts the viewer with a smooth, perfect world full of riddles, wonders, secrets, and a coloristic subtlety in...

• Art’s Cool of Night (critique, 2012)

  At some point, I don’t remember when, Yu Aijun started emailing me photos of his ink paintings. He modestly called them “little works”, and them gave them all sorts of graceful names: “Hidden Spirit”, “Extinguished Fire”,...

• The Release of “Painting” - Kang Haitao’s Visual Composition Hang Chunxiao (critique, 2012)

  When Kang Haitao painted a group of abstract works, people familiar with his “night scenes” were astonished: how could he go from his “representational” works to this? It became an oft-asked question, but is not all...

• EROS, GLOBAL, CHAOS - Larys Frogier/Yang Jiechang Larys Frogier (interview, 2011)

  Larys Frogier——In the exhibition Stranger than Paradise at La Criée de Rennes three works are on display: a video screen showing your head repeatedly banging against an invisible gong suspended above an installation of 200 sculptures,...

• Yang Jiechang - Tale of the 11th Day Yang Tianna (critique, 2012)

  "It is humane to have compassion on the afflicted; and as it shews well in all, so it is especially demanded of those who have need of comfort and have found it in others: among whom,...

• Shi Cao (Manger) Chen Haiyan (critique)

  Friends call Cao Yingbin by his nickname ‘Cao er’ (Little Cao), and I always thought they meant ‘Little Manger’ (also pronounced ‘Cao er’ in Chinese). The Chinese character for ‘Manger’ consists of two parts: ‘wood’ and...

• Death and Sexuality - A Lonely Studio Story Feng Yuan (critique)

  The premises of death have a particular spatial property, which is graveyard. The emperors in ancient China were more fascinated with the palace of death, the tomb, than the palace of present glory. It is ordinary...

• How can lack of culture of Chinese Painting Gu Shaohua (critique, 2011)

  【Abstract】Each painting has its own characteristics， which represents Chinese culture Chinese painting is a "poetry， calligraphy and painting"and other features of Chinese culture， which is the root of Chinese painting; its highest level is the poetic。...

• Summer Visitors Andy Fairgrieve (critique)

  I have always thought of swallows as being rather remarkable creatures. Every year these intrepid little birds make the long migration from the southern hemisphere to the cooler climes of northern Europe where they are welcomed...

• Abstract Expressions Rebecca Catching (critique, 2012)

  With the dominance of the four kings (Zhang Xiaogang, Fang Lijun, Zeng Fanzhi and Yue Minjun) and their auction figures, the understanding of Chinese contemporary art in the West has been disproportionately shaped by the influence...

• Elfi TURPIN Elfi Turpin (critique)

  Han Ren is developing a drawing praxis. He works almost solely with lead pencil-a technique whose visual properties he is methodically exploring. So his wall drawings involve huge panoramas wavering between abstract landscape and cartography. Made...

• Dumping Garbage - Relax Dirk Herrmann (critique)

  He Hongpei’s latest reflections on women’s inner life and feelings in China He Hongbei’s most recent series of oil paintings are a seamless and consequential development of her work and consistent approach to art .Already when winning...

• A Hunger for Life Huang Yaji (critique)

  In the mass grave, the higanbana’s pistil faded among the dead polar, which like aging prostitute’s private parts. In 1967, Araki Nobuyoshi took pictures of higanbana at Net Free temple with a white board, this...

• Sunbath Chen Haiyan (critique)

  In the midspring, birds fly, grasses grow, daytime becomes longer and sun shines. As old people say, the spring thunder predicts ample rain this year. The damp and foggy south does not always mean winding lanes...

• No sound for the greatest music, no shape for the greatest appearance - Chang Chao-Tang’s photographic art and life scenery Kuo Li-Hsin (critique)

  In the era of photography as an art of viewfinder and shutter, Chang Chao-Tang may be the photographer who reached the highest ambit in the photographic history of Taiwan. There are numerous achievements in Chang’s photographic...

• The Eyes of an Era - CHANG Chao-tang Wen-Ting Tsai (critique)

  “Anyone with an index finger can take photographs,” or so some are known to mockingly say. Partly because photography is rooted in science (specifically chemistry), and partly because it is by nature accessible and its works...

• Non-cooperation, Hand Scroll, Literati Arts Fang Shengyi (critique)

  Chinese give the intellectuals very broad moral requirements. Even if an intellectual cannot make positive contribution to the society, only can he just do not associate with evil political forces and provide a relatively lofty example...

• The Narrative of the Memory of the Insignificant Su Kunyang (critique)

  The photographic art of Fang Shengyi dwells much on the niche of the downtrodden – their broken and bleak lives and their secret hopes and desires.His rudimentary yet elegant techniques describe the pettiness of their lives...

• Characterism: Fang Shengyi’s Art Xu Yijing (critique)

  Since the exhibition of the work series called “Original Sin I: The Original Capital” that had a close resemblance Damien Hirst’s diamond skull in 2010, the artistic creation of young artist Fang Shengyi embodied a unique...