MOOK GALLERY

CANG XIN'S MYTHOLOGY II - CANG XIN SOLO EXHIBITION (solo)

OVERVIEW

EXHIBITION SYNOPSIS

Cang Xin's creation in the Mexican Gallery, is a further plastic basic elements of the kinetic energy in the natural world - metal, wood, water, fire and earth for the creation of the media, borrowed nomads and hunting peoples of primitive religion, that is natural and human One of my realm.

Humanistic values and experience the spirit of the universe, which works into this.

Artists try to express their own different materials to the vocabulary of contemporary art is the most intriguing situation, the material used has a specific extension of the metaphor, especially in the field of devices, all types of material will be placed at the same time , the material context of mutual dialogue and even inertia is reading the mystery of the exhibition. The gallery exhibition in Beijing ink works on digital photos, drawings, stainless steel and iron sculpture mainly digital photos on the Harmony Cang Xin derived from the series again, a number of artists copy their own virtual image input from the original beautiful swamp, lit bonfires to Shaman or primitive tribal gathering specific ceremony, the new performance Zun days installations natural dialogue.

Cang Xin is a huge drawing to a continuation of the original carbon conversion and to express the reality and fiction dreams, through the closest to the original material and the form of murals, intuitive artists express once again the blood memory and surrealism, legends, from Cang's then - Fables model. Twisted flowers, different body will Cang Xin, in reality no longer see all kinds of reptiles, run rampant in the exhibition area of the atmosphere. Curing is to give artists split in the form of the desire to explain, or is the desire of the entire project in the exhibition area,飘忽Construction of the desire to capture the reality. Is the black-and-white to color, age suspicion.

While stainless steel is the most common in the daily lives of modern metal symbols, and looked sticks to the attitude displayed killings and survival dependency of Health. And before the 'continuity' licking series. Hunting is a primitive society of the sacrifice ceremony, killing envoys is that the existence of a force. Licking the tip of the visual shock, fear and desire on behalf of the other. Early understanding of the social learning: 'the essence of life is killing and eating; myth to be discussed is a major mystery. 'Hunting has been derived from the nature of war and the expansion of hunters and hunting were among the cycle by a simple form of sculpture, the metal element Linglie produced strange war march. This intrinsic to the experience of commonality in the call for human sin.

All desire communication arts ceremony, we are visual impact of the old plant have been imported rational concept of civilization. Only artists artistic vocabulary will be no time during this time, no screen to screen the myths embedded in the spirit of the memory mode field can lead people around with the reality of the struggle. Art only to show the charm of human imagination will not wither.

Cang Xin through art metaphor but still build on the legend, myth and religion, the psychology of modern care needs, the current rapid development of the social reality of the times and the impact of contradictions, and the return to the original order, respect for nature and days unity of the people tend to etiquette. And create a visual shock, and the mysteries of the people through self-modern myth Kingdom.